This is a film that is better than you expect it to be. It's sort of Last Days of Disco meets Wayne's World.

It is based on an idea that came from Saturday Night Live about three guys who are trying to get into discos/parties and are so uncool. They all bob their heads to the music in a funny fashion and try to pick up women, which of course they are useless at but think they are excellent at. The third person from this original skit was Jim Carrey. For whatever reason Jim Carrey was not in this movie but the other two are and despite Carrey's absence the comedy has his distinct style in many ways, particularly with visual comedy.

The music, if you like European 90s disco/house is very good and the support actors are excellent. There are more than a couple of people from the original Clueless film if you can spot them all.

To give you a basic plot, which in this type of movie isn't really important anyway, you have two sons of a rich LA shop owner. They live for parties and think they are well into the scene but their dad thinks they are a waste of space. They try to get into a club called the Roxbury which is more exclusive and through a series of events, mistaken identities and so on move into the partying fast-lane. There are some ups and downs for our two guys though but in true tradition there is a happy ending.

If you liked Wayne's World and Dumb and Dumber there is enough similar humour for you. It's worth seeing in my opinion, I gave it 7 out of 10 and I'm normally quite tight.

We watched NATR originally at a friends insistence, well, it has become one of those movies to us that we can watch over and over again. Like a background movie. Sad to say, my girlfriend, best friend and I can quote most of the movie. Obviously, it's a goofy movie, it's supposed to be, but we feel they did a wonderful job with the plot they were given.

Yeah, it's one SNL skit stretched out to an hour and a half, but twenty years later it is still funny. It is dated. Lots of people will not know who Richard Grieco is or anything about "Twenty One Jump Street", and why are those people talking into bricks? but the human element is still recognizable and therefore funny.

You have two very childish geeky brothers close in age and aspirations - they want to own their own club - but they have a dad (Dan Hedaya) who is completely unhappy with them and their lack of interest in his business and what he hopes will be their business someday - an artificial flower shop in Beverly Hills.

The Butabi brothers think that they are much cooler than they really are, would starve if not for dad's wealth, and go out every night in hope of getting into an exclusive club - the Roxbury. The bouncer is having none of it. Then one night they get rear ended by Richard Grieco, and to avoid a possible lawsuit he gets them into the Roxbury. The plot takes it from there.

What are the human elements that are familiar? Two guys well into their twenties trying to hide their lack of sexual experience, and falling for two party girls who would not give them the time of day if not for who they think they are - rich guys with connections. A man with lots of wealth and business savvy actually liking these two guys who have nothing going for them that anybody else can see. A dad who is particularly angry with one son maybe because he reminds him of himself at that age. And a girl who chases after the other son because she knows she can manipulate him into marriage and unite two empires - her dad's lamp store and the Butabis' flower shop.

I have no idea how one fake flower shop could make Mr. Butabi that rich, but it is still funny after all of these years. And the soundtrack is to die for. It's too bad Hollywood is so broken these days that they just can't make silly movies whose entire point is just plain fun.

With Will Ferrell and Chris Kattan as the clueless and close-as-twins Butabi brothers, Dan Hedaya as the constantly yelling father, Loni Anderson as the unconditionally loving mom who has a permanent scaffold built around her for all of the plastic surgery she gets, and Molly Shannon as the aggressive and mercenary girl chasing after Ferrell's character, sometimes literally.