I saw this film at the 2005 Toronto International Film Festival. Named for a song by legendary Japanese "punks" The Blue Hearts, this film tells the story of four girls who form a band for an end-of-year high school festival. They decide to play covers by The Blue Hearts, and although the film only covers a few frantic days of practice, the pace is sometimes glacial. I'm not sure that this is a bad thing, though it felt like the film wanted to go in two directions. On the one hand, it was a typically sentimental Japanese film about the passing of youth, and the director gives us a few shots of each of the girls smiling wistfully while gazing off in the distance. On the other hand, it's a film about a thrown-together-for-the-hell-of-it cover band, and it could have used a bit more of that kinetic attitude. That being said, it was hugely enjoyable (though probably a good 15 minutes too long), and Bae Doo Na, who plays the gawky Korean exchange student, literally steals the film. Her transformation from gawky outsider to sassy singer, though unrealistically quick, is endearing. And only in a Japanese film would someone get to sing the lyrics, "Like a rat, I want to be beautiful" and make it sound heartfelt.

Although not quite on the same level as another coming of age Japanese teen musical Swing Girls (2004), Linda Linda Linda still has that kooky charm and punk rock vibe that makes it worthwhile checking it out.

Nothing major happens, no big love drama or major fall outs in this film or bullies trying to stop them, and that's refreshing to say the least. For me this probably has the beautiful Bae Doona;s best performance to date (I might slightly give the nod to A Girl At My Door but this film runs it close). She steals the film, as the kooky exchange Korean student turn front woman, to think she was 26 at the time of this film and a bit older then the other three female leads but she makes you believe she's a teenage girl.

The other three members of the band are very good, especially Aki Maeda (Battle Royale) as the drummer. But none come close to topping Bae Doona. The ending has a bittersweet feel to it, as some else mentioned in their review that it's the last significant thing that they probably do. With shots of empty corridors and grounds of the school, it's kind of eerie in a strange way. Also big up the music of the Blue Hearts, you end up humming Linda, Linda for weeks after hearing it.

I did have some problems with it. I did have some trouble with the pacing and I felt a few scenes could have been trimmed to make a tighter film. But overall it's nit picking as this film has it's heart in the right place, plus Bae Doona stealing the show. Well worth checking out.

In most films, directors try (with varying degrees of success and failure) to capture various feelings and emotions set in times and places that will connect with the viewer. When the director fails to catch the vibe emanating from the source material the film falls apart. But every once in awhile a director gets the material and turns out a product that seamlessly captures a slice of life. The latter better describes Nobuhiro Yamashita's Linda Linda Linda, a beautifully constructed study of young love, high school politics, and of course, rock and roll.

In preparation of a High School Festival due in three days, band leader Kei (Yu Kashii) forms a group to cover the works of a J-Punk band named The Blue Hearts for the festival. She quickly finds a drummer, Kyoko (Aki Maede), and a bassist, Nozomi (Shiori Sekine). After some difficulty, the group finds itself their singer; a Korean exchange student named Son (Donna Bae), who only has a basic knowledge of Japanese. The group prepares tirelessly for the coming event... but will they be ready in time?

OK, (I want to get this out of the way) I have one major gripe about Linda... To be honest, the first thirty minutes are paced so slow that it borders on tedium. Some scenes (in the beginning) are totally unnecessary to the plot and could have been edited better to provide the film with a better flow. Though after that, the film magically changes itself into a beautifully endearing coming of age drama complete with cute Japanese schoolgirls and blazing punk rock.

After the clumsy beginning, Linda Linda Linda does one thing that few films can boast. It does an exquisite job of capturing the awkwardness of youth, the purity of blossoming friendships, and the universal love of music. As the film progressed, I was constantly reminded of simpler times in my life. A time when friends were closer than they ever were (after which life puts you through the ringer). A time when every experience was fresh and new and exciting... basically it reminded me of how it was to be young. This is no small accomplishment and is the film's strongest point, as well (I believe) as Nobuhiro Yamashita's primary goal in making Lind Linda Linda.

Other than the emotional aspect of the film, Linda also features brilliant cinematography and a great score. Much of the camera-work seemed to be aimed at casting a "Abbey Road" effect, as many of the film's shots could be easily mistaken for album cover artwork. Add James Iha's (Smashing Pumpkins) melodic rock soundtrack and covers of the J-Punk band The Blue Hearts, and you get some moments of intense allure (i.e. what I like to call, "mind candy").

And we can't forget the actresses. Everyone holds their own here, playing their roles expertly and acting how you'd expect teenage girls to act, the standout being Donna Bae as Son. Her wide eyed, naive Son clinches the film and puts it into the level of greatness. She plays the kind of girl that you'd want to befriend, both subdued and full of life at the same time.

Bottom Line-This is a beautiful film that encapsulates all the emotions of youth. A bit boring and unfocused at the start but the rest of the film more than makes up for it.