A young girl from Kansas hires Los Angeles private detective Philip Marlowe to find her missing brother. Marlowe's investigation leads to two dead bodies and a blackmail plot concerning an actress. Decent adaptation of the Raymond Chandler novel "The Little Sister," updated to the '60s. Garner's not an ideal Philip Marlowe but he's charismatic and enjoyable to watch. He has good chemistry with Rita Moreno, who steals every scene she's in. Bruce Lee has a small but memorable part. Carroll O'Connor and Kenneth Tobey are good as a couple of cops easily frustrated with Garner. A little too mellow and lacking grit for a hardboiled detective story, though it's still entertaining. More Rockford than Marlowe. A minor quibble: there's a scene late in the film that takes place in a wooded area but is very obviously filmed on a sound stage. I probably wouldn't have thought twice about it if the movie had been made even ten years earlier but for a 1969 film it was very noticeable and fake.

Vintage Garner, solid sleuth story with sophisticated plot twists! Somewhat in the same cut as Paul Newman's "Harper", but bearing Garner's unique brand of sardonic humor: Sort of a modern Bret Maverick and a soon-to-be Jimmy Rockford!

Good late 60's detective romp through West Coast life, interweaving the societal trends of that time period (Hippie, straight, boozer, "sleazer", etc.) Bruce Lee is a welcome interlude, especially in his scene at Marlowe's office.

However, Rita Moreno is the real treat in this one: probably her best dramatic performance! One wishes she had been cast in more roles like this one to let the public see her for the multi-dimensional actress that she was.

One last "shout out" to Peter Matz for his super soundtrack which added the appropriate audio flavorings to the respective scene changes, while keeping the atmospheric late 60's mood in full swing.

Much is said concerning the merits of re-imagining the Philip Marlowe character in the swinging sixties, bringing to it a pop culture emphasis that seems eons away from Humphrey Bogart's turn, but there's three good reasons to consider this Marlowe adaptation.

First-rate cast stars the always affable James Garner in the title character. He's a modest Marlowe, not arrogant, assuming nor especially gifted at his trade, he toils and the rewards follow (albeit with some distress involved). Lovely Gayle Hunnicutt plays the femme fatale along with little sister Sharon Farrell, while Rita Moreno trumps them both with a critical role as a stripper of more than passing resemblance to Hunnicutt.

Then there's the surprise packet, namely, Bruce Lee with just a couple of scenes, one of which involving him demolishing Garner's office like it was made of balsa wood. A perfectly timed scissor kick shatters the overhead light shade (a good foot above his own head), before he dons his sunglasses, turns on his heel and casually walks out the door he's just kicked in half. It's a stern warning to Garner to lay off, but equally hilarious in its approach of which both Lee and Garner seem aware. If you take nothing from the film, you'll always remember that scene.

And finally, if you're familiar with them, the theme tune "Little Sister" is a catchy jazz-pop song by Orpheus, the band who had four albums of jazz-psychedelic pop in the mould of what would later become the signature of Lighthouse, Chicago and others of the ilk. Great adaptation, a real time capsule of the era and well worth a look.