I too was thrilled to discover this gem. The voyeurism, Laura's innocent eroticism so obvious in Malizia comes through and is just right for a story of sexual awakening. The idea of a woman following her husband's sexual escapades and taking revenge by initiating her own shows that a woman's liberation from the morays of her time was possible even in the 19th Century.

The use of Albinioni's Adagio is very appropriate as it imparts a sadness and languorous aura that fits the story particularly Marcello's longing and resignation. This how you make an erotic film that tops the soft porno of the Emmanuelle series.

If you foreign movie buffs have not seen this one, rent it immediately. It is amazingly well done, definitely memorable, and it's hard to believe that I am only the third person to comment. A young "frail" married girl who is loved but protected by those around her discovers herself and her passionate nature upon the disappearance of her husband. Determined to discover what happened to her husband she sets off in his horse and buggy to cover his route. Luckily for her, the horse is well versed in the stops her husband made along the way. Unwittingly she learns about her husband's many sensual encounters and finds that the knowledge is causing her own passionate nature to stir. As her paradigm shifts, she opens her arms to new experiences, each one taking her a closer step toward womanhood and a full understanding of what a man and woman can mean to each other. Wait! That's just one story in this film. The overlying story is about the husband who has gone into hiding immediately across the street from his own home and desperately watches his wife's transformation from the slats of a boarded window. The story is well weaved together and it is beautiful to watch. The cobblestone roads, the clothing, the landscape, the church and just about everything in this movie makes it a masterpiece. There is even a side storyline that has a bit of shock value - you will know it when you see it! Go see this film and then come back and tell me what you thought!

I can not understand why so few people have seen or commented on this film. I`ve seen both the subtitled and the dubbed version and think this may well be Mastroianni's best work. The film runs a very difficult twin course of voyeurism and a woman's sexual and personal awakening.

Early on in the film, Mastroianni's character is forced into hiding across the street from his shut-in wife, who is unaware of where her husband is hiding. As Marcello's character slowly fades in strength and in conviction, his heretofore frigid, hypochondriac wife slowly becomes her missing husband-- taking over his business, his habits, his thoughts, and eventually even his mistress. The change is all the more striking because Marcello watches the change, peeping through her window. As she gains in strength and confidence, he loses both, realizing that his life had been based on lies. The film is lushly filmed with an amazing score. Did I mention that the actresses in the movie are stunningly beautiful? While most would probably pronounce 8 1/2 or La Dolca Vita as the best Italian films ever made, I`d vote for WifeMistress.